Music Graffiti / Italian Beat - Covers (45rpm singles)

Italian Beat - 45 rpm Covers

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During the sixties music became more important than ever before, and the music we listen to now, rock, pop, and other genres is, for the most part, a prosecution of styles invented or restarded during these years.

In this section is proposed a selection of 45 rpm singles edited in Italy during the sixties. Many of these singles were edited by Italian groups ("complessi beat") sometimes famous at their time (Rokes, Camaleonti, Equipe 84, Dik Dik) sometimes not.

   

Also available A list of  "complessi beat"  

 

Covers selection

  

Anonima Sound
Fuori piove
Parla tu

Anonima Sound
L'amore mio l'amore tuo
I tetti

  

Antoine
Pietre
La felicità

Le Bisce
La danza della morte
Una che dice sì

 

Bisonti
La tua ombra (mi segue)
Lui non vuole

Bisonti
Occhi di sole
Crudele

 

Califfi
Fogli di quaderno
La bellezza

Califfi
Acqua e sapone
Lei non mi tradirebbe

       

Camaleonti
Sha La La La La
Tu credi in me

Camaleonti
Punto bianco
Non cade il mondo

   

Camaleonti
L'ora dell'amore
Noi e gli altri

Camaleonti
Non c'è niente di nuovo
Vita facile
(11)

 

   

Brunetta
Solo per poco tempo
Dove vai?

Caterina Caselli
Sono bugiarda
Incubo n.4

       

Caterina Caselli
Nessuno mi può giudicare
Se lo dici tu
(8)

Caterina Caselli
Il volto della vita
Disperatamente io ti amo
(9)

  

Caterina Caselli
Sole spento
Il giorno

Caterina Caselli
L'orologio (10)
Bagnata come un pulcino

 

 

 

Caterina Caselli
Cento giorni
Tutto nero
(Paint It Black)

Catherine Spaak
Prima di te ... dopo di te ...
Noi due

  

  

 

 

Catherine Spaak
Quelli della mia età
(Tous les garçons et les filles)
Ho scherzato con il cuore
(J'ai jeté mon coeur)
(13)

Catherine Spaak
L'esercito del surf
Mi fai paura

 

 

   

Casuals
Massachussetts
Jennifer Brown

Cavernicoli
Non hai pietà
Se vuoi restare sola

  

Chetro & Co
Danze della sera (2)
Le pietre numerate
 

Chetro & Co
Danze della sera
Le pietre numerate

 

Corvi
Un ragazzo di strada
Datemi una lacrima per piangere

Corvi
Bang Bang
Che notte ragazzi

 

 

Corvi
Quando quell'uomo ritornerà
Si prega sempre quando è tardi

Corvi
Bambolina
Nemmeno una lacrima

 

 

Delfini
Tu te ne vai
Domani penserai a me

Michel Delpech
L'isola di Wight (5)
Wight Is Wight

       

Dik Dik
Il vento (Mogol-Battisti)
L’esquimese
(Mighty Quinn – B. Dylan, Manfred Mann)

Dik Dik
Se io fossi un falegname (Tim Hardin)
Il Mondo è con noi (Mamas & Papas)

 

Dik Dik 
L'isola di Wight (5)
(Wight Is Wight)
Innamorato

Dik Dik
Zucchero
Piccola arancia

 

Evy
L'abito non fa il beatnik
Good Golly Miss Molly

Dino
Te lo leggo negli occhi
Cerca di capire

 

Don Backy
L'ombra nel sole
Tu piangevi

Don Backy
Ho rimasto
Sono solo

 

  

Equipe 84
Papà e Mammà
Quel che ti ho dato

Equipe 84
Bang Bang (Cher)
Auschwitz (Guccini)

 

Equipe 84
Un giorno tu mi cercherai
L'antisociale

Equipe 84
29 settembre
È dall’amore che nasce l’uomo

  

Generali
La vita è una battaglia
Pensaci un po'

Ricky Gianco
La mia voce
.. e quando
Quanto tempo passerà
(disco tris, Cantagiro 1965)

 

Ghigo Agosti (Ghigo)
Coccinella
Stazione del Rock
(12)

Ghigo Agosti (Mister Anima)
Non voglio pietà
Solitude Time

 

Ghigo Agosti (Mister Anima)
La mia passeggiata
Attrazione

Ghigo Agosti (Probus Harlem)
A Whiter Shade Of Pale
Hold On I'm Coming

 

  

Giganti
Tema
La bomba atomica

 

Giganti
Una ragazza in due
Lezione di ritmo

 

 

Giganti
Da bambino
Tabù

Giganti
Proposta
La tomba dell'amore

 

 

 

 

Gianni Morandi
C’era un ragazzo …  (4)
Se perdo anche te

Giois
Questo mio mondo
... e la vita ora continua

       

Jonathan & Michelle
Occhiali da sole
Ai margini del mondo

Luigi Tenco
Ciao amore ciao
E se ci diranno

Michel Polnareff
Una bambolina che fa no, no, no...
La lezione del capellone

(Vedi anche
il frontespizio
dello spartito
di questo brano
di Michel Polnareff)

 

 

Patty Pravo (14)
Ragazzo triste
The Pied Piper

Patty Pravo
Se perdo te
Lettera a Gianni

 

Patty Pravo
La bambola
Se c'è l'amore

Profeti
Non si muore per amore
Odissea d'amore

 

 

 

 

Quelli
Tornare bambino
Questa città senza te

Riky Maiocchi
Ma l'amore no
Un'altra vita

 

 

   

Ribelli
Chi sarà la ragazza
Quella donna

Ribelli
Goodbye
Josephine

       

Ribelli
Obladì Obladà
Lei m'ama

Renegades
Un giorno tu mi cercherai (1)
Una rosa da Vienna

 

 

   

Renegades
John Fitzgerald Kennedy
Il più grande amico

Renegades (6)
Lettere d'amore
Vino e campagna 

       

Roby Crispiano
Quando ritorno al mio paese
Il messaggio

Roby Crispiano
Uomini Uomini
Solo io e te

 

 

Rokes
Bisogna saper perdere
Non far finta di no

Rokes
Ascolta nel vento
Il primo sintomo

 

  

Rokes
Che colpa abbiamo noi (3)
Piangi con me

Rokes
Io vivrò senza te
Lascia l’ultimo ballo per me

 

Rokes
Che mondo strano
(33 giri)

Rokes 
Ma che freddo fa
Per te per me

 

 

Rokes
Cercate di abbracciare tutto il mondo come noi
Regency Sue

Rokes
Eccola di nuovo
Mi ricordo quando ero bambino

 

Rokketti (6)
Black Time
L'amaro in bocca 

Ricky Shayne
Stanotte
Di me cosa ne sai? 
(Black is Black - Los Bravos)

       

Satelliti
Babababa-ba (With A Girl Like You)
Quando sei con me

Ricky Shayne
Uno dei Mods
Cosa pensi di me

       

Some additional information

 

(1)

The Renegades where a British group that soon after their first success in UK (Cadillac) started to travel and work all around Europe, mainly in Italy and in Finland. In Italy they issued many discs singing in Italian, including also a participation at the Sanremo Festival, together with the most famous Italian group (Equipe 84). Their Italian production was more sentimental and traditional than "beat" and their success in the mediterranean country was weak, even if they were quite famous. (see their discography)

(2)

Chetro & Co was a minor group, but a remarkable one. Founded by Ettore De Carolis, after this experience he became an appreciated folk musicians with his group Il Nuovo Canzoniere del Lazio. The song on A side is indeed very close to beat genre, with some aperture to the new psychedelic mood, and it's based on a poetry work written by the famous Italian novelist, film director and poet Pierpaolo Pasolini; the B side was based on the tune Milestones of  Miles Davis ("Le pietre numerate" is the translation of "milestones" in Italian). The single cover was folded on many parts and very complex, with a collage of many photos, sometimes ironic (“Il sistema compra Bob Dylan”, that is: "Bob Dylan sells itself to the system"). You can see all the photos here.

(3)

Italian cover, totally unrelated (lyrics by Mogol, the most famous Italian lyrics' author) of Bob Lind's tune Cheryl’s Going Home. It was the greater success in the whole Italian beat era. The Rokes, a British group, became after this hit the number 1 in Italy, together with the Italian group Equipe 84. (See the discography)

(4)

Gianni Morandi, the most successfull Italian singer during the sixties, proposing up to then only pop songs, tried to credit himself also as a Beat singer with this disc. He was actually very young and very sympathetic with the new ideas of the sixties and, with the help of Mauro Lusini, an author of folk and beat songs, (toghether with him on the cover, on the right) he issued this song ("There was a boy that as me loved the Beatles and the Rolling Stones") about Vietnam war. A not usual argument in Italy at that time, when the Italian television accurately avoided to speak explicitely of the war and of the difficulties that the US forces were facing (the Italian government was then a very loyal allied of the american one). The song was a success, entering in the Top-10, but not a huge one (Morandi was a n.1 guy). The song became anyway a "protest song" very well known in Italy, sung together during the seventies by the students.
On the B-side, prudentially, the producers issued a more conventional cover from an american pop song (Solitary Man of Neil Diamond), in Italian "Se perdo anche te", that reached a more brilliant success.

(5)

The original song was the international success "Wight Is Wight" written by the French musician Michel Delpech, and inspired to the rock festival of 1968 in the South England island, with Hendrix, Doors, Who and even Miles Davis. A very slow and traditional song, anyway, totally unrelated with the event, as far as the cover showing the members of Dik Dik (one of the most famous groups in Italy) in the middle of a street.

(6)

Sometimes the covers of the Italian beat era were very scarse. This is an example. The Renegades are covering here two songs: the very well known "Love Letters" of Elvis Presley ("Lettere d'amore" in Italian) and The Camp of the danish group Sir Henry & His Butlers. This was  originally an instrumental tune, but was added to it new lyrics inspired to the rural life ("wine and country") following an effimeral tendence of that period in Italian music ("Il ballo di Peppe" of the Cugini di campagna, Il Ballo di Simone of Giuliano e i notturni). Impossible to understand why the Renegades are wearing renaissance suits.

(7)

The group I Rokketti was quite appreciated in Italy during the sixties. This song is a strong R&B, an original, based on a difficult love between a black boy and a white girl.

(8)

Caterina Caselli, started her career as the bass player and singer in his group Gli Amici, and was also one of the first "queen" of the famous italian dance hall Piper Club of Rome (that started the activities on February, 1965). During the sixties she became one of the most popular female singer in Italy, together with Patty Pravo, starting with his international hit Nessuno mi può giudicare ("Nobody must judge me"), proposed at the Sanremo Festival in 1966 together with the american singer Gene Pitney. After this period and many other hits (Perdono, Cento giorni, Tutto nero, Io sono bugiarda, Il volto della vita) she started a different career, becoming the owner of one of the most important italian labels (Sugar) and the producer of Italian musicians famous in Italy and in the world, as Elisa and Andrea Bocelli.

(9)

Italian cover of the international hit Days of Pearly Spencer di David Mc William.

(10)

This song L'orologio wasn't a success. On the B-side an interesting experiment, the song Bagnata come un pulcino sung in the dialect of Modena, the town in Emilia region in which the singer was born. In Italy they are still present many dialects, related to the Italian language but sometimes, as in this case, very difficult to understand for an Italian coming from the South or the Central regions. An interesting cover inspired to the psychhedelic style.

(11)

Non c'è niente di nuovo ("Nothing new here") was the song proposed by the Camaleonti during the Cantagiro in 1967. The Cantagiro was a very popular event, inspired to the bike contests (Tour de France, Giro d'Italia) and travelling all around Italy during the summer. The Camaleonti group was another of the most popular in Italy at that time, their former singer Riky Maiocchi has left the year before for a solo career and Mario Lavezzi and Tonino Cripezzi were the new components of the band.

(12)

Ghigo Agosti started to sing professionaly during the fifties, and he was among the first in Italy to sing R&B and rock songs (Stazione del rock, Coccinella), together with other "rockers", all from Milan, very famous in the following years (Adriano Celentano, Giorgio Gaber, Enzo Jannacci, Guidone, Ricky Gianco, Clem Sacco). During the sixties he formed the group Ghigo & i Goghi, he proposed a cover of Shout! and then he assumed other identities, as Mr. Anima (Mr. Soul), than Probus Harlem and lastly the psychedelic Black Sunday Flower.

(13)

Catherine Spaak, daughter of the former belgian premier and living in Italy, was an young actress extremely popular in Italy during the sixties. She started also a career as a singer with the cover in Italian of the hit of Francoise Hardy "Tous les garcons et le filles" (in Italian "I ragazzi della mia età") and other songs, the most popular one being "L'esercito del surf"  ("surf army")

(14) Patty Pravo was the most popular Italian singer during the sixties, probably even more of Caterina Caselli and Mina. She started to be famous as "la ragazza del Piper" ("the Piper Club's girl") following the great success of this dance hall located in the center of Rome, and she had very soon the opportunity to issue several discs. In the beginning she followed the "beat" style, but her greater hits were more popular and traditional songs, as "La bambola" ("the doll"), over 9 million copies solds in Europe.

 

© Music Graffiti 2002-2008

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